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Color - color - color diagram - oil painting human body technique color

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Color - color - color diagram - oil painting human body technique color Empty Color - color - color diagram - oil painting human body technique color

Post by Admin Tue Apr 02, 2024 6:44 am


Strictly speaking, when sketching, it's just a matter of knowing which colors fit together to represent the object you're observing and the various colors. If you paint the colors and their relationships accurately, the resulting picture must be harmonious. Because the light source itself helps to create the natural color harmony of the object. Sketch, light and shade, and even the boundary line are measurable objects, but the artist's color is not suitable for this precise analysis, because it is highly expressive of subjective thoughts and feelings. So for many painters, the ability to see color is a real skill. Some painters seem to master the use of color naturally, while others always find it out of reach.
Other painters don't think color is worth mentioning. They don't put a lot of effort into color and work on other things. They followed the principle of drawing well enough (said to be David in the late 17th to mid-18th century).
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If a painter does not care much about color, or if he feels that it is difficult to deal with color and interferes too much with the painting, there is no need to involve too much energy in this area. Indeed, my sympathy is with those who are struggling with color. Especially beginners. A mountain of color theories, concepts, terms, and rules is enough to intimidate anyone.
Note 1: David 18th-century French painter.
Note 2: Ingres 19th century French painter.
Color (warm and cold)
When I talk about color and chromatism in this book, I do so in a relative sense. I don't think the warmth of color is inherently absolute. Color changes with light and neighboring colors. For example, bright orange appears warmer when compared with its complementary primary color of the same brightness, blue, and it does appear soft and warm under normal natural light. But if you change the light source, the orange becomes almost black, and the blue becomes almost white. Of course, this happens very rarely, unless you're wearing sunglasses. But this is enough to further illustrate that the nature of light is an important factor in painting. I like to paint in natural light from the north because it creates the color relationships I need.
Under normal light conditions, the color can be changed by adding a warmer or cooler color of the same brightness, for example, a skin tone mixed with earth and rose earth can be cooled by adding a bit of green, which is relatively cooler than the original tone. As long as the cool color added belongs to the same brightness, it can change the color cold and warm without changing its brightness.
Color diagram
This diagram illustrates four words for color mixing. The primary colors are red, blue. The primary color is the base and cannot be produced by mixing other colors. The intermediate colors are orange, green and purple. They are made of two primary colors. Polychromy is a combination of primary colors. Generally known as brown gray. Any two colors that are opposite each other in the diagram are called complementary colors. For example, it complements purple. So are red and green. The complementary colors blend with each other to form a compound color.
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