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What is the method of classical transparent painting?

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What is the method of classical transparent painting?  Empty What is the method of classical transparent painting?

Post by Admin Tue May 07, 2024 5:52 am

What is the method of classical transparent painting?
(1) Sketch draft. Transparent painting relies heavily on clear, successful monochromatic underpainting. At this stage, you can use any sketching medium charcoal strips, colored chalk, etc., to clearly determine a frame sketch that can be filled with background color. After that, apply a coat of hairspray or polish.
(2) Pure gray painting method. Gray, which is usually painted with white and black, can also be painted with ochre or brown and white. The basic requirement is a strong contrast of light and dark levels, as far as possible with bright tones, because each time after the color will make the picture darker. According to the principle of fat and thin, as little oil as possible at this stage, ancient painters use lead white, because lead white is thinner in oil paints, and black oil paints contain more oil, so it should be used less. In the performance of a portrait with strong contrast between light and dark layers, it does not mean that the darker the better, on the basis of maintaining brightness, the deeper tone can be in the middle gray. When painting gray paintings, you should always have a fan pen or oil roller, and constantly use it to smooth out the paint, and generally only draw slightly thicker strokes where it is really needed. After the gray painting is finished, let it dry for at least two days before applying a layer of polishing oil, which will facilitate the subsequent color layer.
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(3) Coloring. At the beginning, the color layer should be generalized, and a large area of pure diluted glazing color is the first step in the coloring process. Wait for a layer of light color to dry before covering the next layer of color, the interval is about one to two days. Of course, wet painting can be used, but it is not easy to control the color, so many artists who use transparent painting paint several paintings at the same time.
(4) Thin coating. After transparent coloring, in order to increase the body feeling and texture of the image, the highlights and details are often emphasized by thin coating, and a lot of white and a lot of toning oil are applied to the glazing color after dry, and more toning oil is to comply with the principle of fat cover thin. Note: Do not use turpentine at this stage. Turpentine is only used in the grey stage.
In transparent painting, glazing and thin coating can be alternated. Sometimes two times, maybe more than 40 times. After the work is finished, it should be dried for a few months and then applied with a glossy oil.
Some people say that there are as many techniques as there are artists who use transparent painting, and it can be seen that transparent painting is not limited to the above methods. Painters can explore their own techniques and styles according to their own needs. Here is another classical transparent painting method:
First of all, use charcoal to draft, and then use a long tip pencil dipped in latex mixed black paint or ink to accurately draw the outline, and then use a large brush pen dipped in a combination of oil (dama varnish: flax seed oil: turpentine = 1∶1∶3) to adjust the thin color of ochre color, with a loose brush to paint the picture, and then wipe with a rag to absorb excess oil. The second step: with a large dipping emulsion (methyl cellulose emulsion or casein emulsion, see the production of Tampera emulsion for details), adjust titanium dioxide to draw the light part of the object, while the white is not dry with a brush, the transition to the dark part, creating a white effect showing the middle tone, at this time the contrast between light and dark of the picture should be generalized and strong. Step 1: White dry and then use one oil toning powder glaze dyeing, the so-called glazing. If there is no toner, the oil paint can be used with high paper to absorb the oil and then use. The white lifting of the second step and the glaze dyeing of the first step are repeated until the shape and color are perfectly combined.
Because this technique uses latex whitening, it dries quickly, and the conjunctiva can be dyed in a short time after glaze, so it can be continuously operated. It should be noted that the initial glaze dyeing can not use too much oil. In addition, the canvas base should have oil absorption, the initial painting dry, gradually glossy.
Classical transparent painting requires a process of getting familiar with the material, and the painter should accumulate experience in practice.
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