Direct painting of human body in oil painting

This painting method is conceptually different from the one-shot method and the traditional direct painting method: before starting the painting, the draft of the entire human body, as well as a lot of work in the intermediate stage and processing stage, must be completed in the mind. Think of the object as a finished painting, as a plan made up of many connected edges and blocks of color. Therefore, it is no longer necessary to gradually develop in a certain sequence of steps, such as starting from the main area, then completing the secondary area and so on. The surface technique used is also arbitrary, and can be painted in all different directions, from realism to almost abstract.
This method has two points that are the same as the completion method: first, the initial strokes remain unchanged; The second is that neither requires a lot of preparation (although a little bit of preparation in this approach is important). If you use this method to draw once, it can also be said that it is a completion method. However, in this way, you can finish the painting at one time, or you can stop at any stage, rely on the image in your mind as a reference, and then continue to draw a day or even a week later. However, a painting completed in several times is generally not as natural as a completion, but it is suitable for painting larger pictures.
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This demonstration begins with a clear monochrome outline to determine the size of the human body on the screen. The sitting human body has a head height, that is, the head height from the base of the backbone is about an inch, the head is painted two-thirds of the object, that is, about six inches high, and the height of the entire sitting figure is inches. In this way, the foreground and background around the human body can be arranged generously on the picture.
First step: The details of this outline clearly show the very transparent brushwork used to draw the head. Use a small cone to make simple and careful head lines directly on the canvas. On the back and right shoulder, carefully draw the hair with a larger pen. These are the only preparatory tasks done in a few minutes and serve as a starting point for later comparison. The next step is to complete the head. The size, shape, color and structure of each stroke and stroke will depend on how the head is painted.
The second step: Comparing this step with the processing of the second step, the elements of direct painting can be seen. Apart from a slight change in the hair and the exposure of the covered eyes, each stroke in this step is almost unchanged in the finished picture after comparison. The lines drawn along the bottom of the forearm, the legs and the feet in this step become dark in the later stage of comparison, only changed in terms of the edges. The painting was not done in clear stages. Most of the painting is not repainted, and all that remains is to blur some of the edges and highlight some of the light and dark parts.
Body: Oil on canvas, shoulders, face, arms and the knife, brush and edge along the left side of the body are the same as the second step. Using a long cone and clear paint, draw the hair onto the upper back and onto the same transparent background color. Use wrinkle method to paint the whole background with transparent paint, use wrinkle method in the foreground and then use a knife. Draw the rest of the body with a medium cone using traditional strokes. According to the characteristics of this painting, the painting can also start from the right foot, develop upward, and achieve the same result after comparison.
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